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MATT KRAMER
- Return Of The Lizard!
[Rock Hard - 03.04.12 14:11:51]
by Carl Begai
Ten years ago Saigon Kick released an album entitled Water that stopped their
rise to fame in its tracks, Yes, there were two albums that followed
Devil In The Details and Bastards But the new age flavored Water
pretty much spelled the end for a band genius by the cerebral metal crowd, largely
because singer Matt Kramer and his charismatic attitude were not part of the
equation, Kramer chose to leave Saigon Kick following "The Lizard"
album when it became clear that guitarist/co-songwriter Jason Bieler intended
to cash in on the success of their runaway hit single Love is on the way,
and has since been biding his time, carrying out various musical experiments
that have finally resulted in an album he stands behind 110%.
Kramers first and definitely not his last solo album is called
"War & Peas", and its a trip that many Saigon Kick fans
arent expecting. There are a few Kick-isms to be heard, but "War
& Peas" is a hard edged yet casual, dressed down affair, delving into
the realms of David Bowie, T-Rex and Mott The Hoople. All well and good, but
what happened with Saigon Kick?
"The whole Saigon Kick thing, it was a very abusive band," says Kramer.
"Jason decided he wanted to be Prince; he wanted to be the lead singer
and produce everything. The guy is an egomaniac and an asshole, and he wanted
all the credit for himself. Thats what ruined the band; that and the manager
stealing everyone elses money. Plus, I didnt want to go from rocking
out to these flowery prom-night love songs, which was Jasons vision. Thats
what happened to Saigon Kick and I have no problem talking about it because
I left the band with ten dollars in my pocket. I had to work really damn hard
to get back on my feet."
Even so, Saigon Kick became a benchmark for Kramer, which is why we havent
heard from him in a decade. He has a couple of projects behind him that could
have taken off, but the lack of chemistry held him back.
"I had a band called Coma with Harry Cody from Shotgun Messiah, but I didnt
feel that it was up to par with the Saigon Kick material, and I didnt
feel that it had the brotherhood thing that Id thought Saigon Kick had.
It was an awakening when I realized that Saigon Kick had been my special little
band. I completely left rock n roll for a couple of years and started a stoner
Beatles jazz band, and that changed me, so by the time I got back to doing rock
it was fresh for me. Doing "War & Peas", I decided to take the
essence of the 70s bands like Sweet and T-Rex and add a heavy edge to
it."
"War & Peas" features a mixture of old and new tunes from Kramer,
including a few penned with guitarist George Lynch (who does not play on the
album ), Kramer explains
"The songs Silence and Change were written with
Coma, right after I left Saigon Kick. The three tunes I did with George, they
were written about two years ago; it was a weird experience, George had a weird
Limp Bizkit trance band going, and I was interested because it wasnt a
metal project, though it was a bit too machine-oriented, it was called Stonehouse,
we wrote four or five songs, but If God Could Hear Me Now was the
breaker. He wanted me to sing the chorus in a typical high register, but I kept
it low because I thought it sounded better, he said Id ruin the song.
I refused to change it, and that was the end of the band. I was kind of surprised
when he put Stonehouse out, so I included some of the songs on "War &
Peas" sort of as a way to redeem them."
I just really tried to go for the art of trash on this album," Kramer says,
"Its like, you see a model that can wear anything on a runway, but
when she goes out she can wear beat up jeans and still look amazing. Thats
what the vibe on this record is all about, if it has anything really unique
about it, its that it dives into Sisters of Mercy, Bowie, The Cure,
Iggy Pop, but it hits with a horsepower that the music of those artists dont
have. This is me in my hotrod, trying to get back to what I like about rock
n roll."
THE END
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